Thursday, March 27, 2014


“The opening "Rêveries - Passions" is one of the great musical expressions of sexual infatuation, one that Sir Simon Rattle shapes well… The Berlin soloists make a gorgeous sounds, the lead clarinet and cor anglais especially… La mort de Cléopâtre is… prime-cut Berlioz, outrageously advanced for its time (1827-30). Rattle obviously relishes the music's ghostly aura, much as he focuses the pre-Roméo atmosphere near the start of the "Scène lyrique". Susan Graham enacts the music's drama with a sense of theatre and a frequently rich tone, especially in the "Meditation".” --Gramophone Magazine, November 2008




“Rattle, displays the easy lyricism one might anticipate, but more power and atmosphere - Berlioz grandioso. Cléopâtre is also a big-screen performance. Mezzo-soprano Susan Graham, today's reigning Dido, makes Berlioz's earlier heroine equally epic… it's a welcome coupling.” --BBC Music Magazine, September 2008 ****

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