Showing posts with label Glass Philip. Show all posts
Showing posts with label Glass Philip. Show all posts

Thursday, October 16, 2014


"The KU Wind Ensemble has appeared on several other Naxos CDs. It is undoubtedly one of the top such ensembles in the United States, and the talent on display here is of professional quality. Conductor Paul W. Popiel leads crisp, precise, and idiomatic performances, drawing the best out of his young players. Thank goodness for conductors such as Popiel, who keep the wind ensemble repertoire growing, and who encourage innovation. In the Glass, soloist Ji Hye Jung…and Gwendolyn Burgett…are no less impressive." --Fanfare, May 2014



Philip Glass’ Concerto Fantasy for Two Timpanists and Orchestra, composed in 2000 and transcribed for wind ensemble by Mark Lortz in 2004, is a significant addition to the repertoire of large-scale works for timpani. The work is rhythmically galvanizing, sonically alluring, and features virtuoso cadenzas for both soloists. Symphony No 4 ‘In the Shadow of No Towers’ is Mohammed Fairouz’s first major work for wind ensemble, and its inspiration is the provocative comic book by Art Spiegelman, written shortly after the terrorist attacks on September 11, 2001. Spiegelman himself has commented: “I’m moved by [this] scary, somber, and seriously silly symphony…I’m honored that the composer found an echo in my work that allowed him to strike a responsive chord and express his own complex responses to post 9/11 America. He emerges from the rubble with a very tony piece of high-brow cartoon music.

Monday, January 20, 2014


“Typically adventurous, Naxos programmes Rutter's pastoral prettiness with Glass's insistent dancing patterns and Francaix's lissom, quirky lyricism.” --BBC Music Magazine, Christmas Issue 2013 ****

“[the Glass] makes for an understated and appealing piece, and one to which Christopher D Lewis is as responsive as he is to the other works here - sensitively accompanied by the West Side Chamber Orchestra under the attentive direction of Kevin Mallon...If the programme appeals, then there is no need to hesitate.” --Gramophone Magazine, November 2013


Attracted by a delightful fusion of early music sonorities with modern expressiveness, the three composers in this amazingly rich and varied programme build on the magnificent harpsichord concerto legacy of J. S. Bach. John Rutter’s beautiful Suite Antique is full of rich and haunting themes, with a significant solo flute part and a jazzy Waltz which is as much Brubeck as Bach. Philip Glass delivers an exciting experience of virtuoso instrumental blending and solo expressiveness, and with typical wit and elegance. Jean Françaix’s Concerto is terrific fun throughout.
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