Showing posts with label Leclair Jean-Marie. Show all posts
Showing posts with label Leclair Jean-Marie. Show all posts

Sunday, October 19, 2014


As well as works by Leclair, C P E Bach, Graun and Blavet, this CD includes a rediscovered work by Quantz.

"For anyone interested in the chamber repertoire for flute in the eighteenth century this should be informative and enjoyable listening. Since the playing is exemplary and the recording quality outstanding it can, however, be warmly commended to more than just those with a specialist interest." --MusicWeb International, August 2011




As well as works by Leclair, C P E Bach, Graun and Blavet, this CD includes a rediscovered work by Quantz. It is a flute concerto in D and La Ricordanza came across the manuscript in the Berlin State Library. This is the first recording on CD. For more that fifteen years, La Ricordanza has enthused concertgoers and CD fans in Europe and around the world with their energetic and multifaceted playing.

CD Review

Wednesday, July 23, 2014


“This disc contains Leclair's most vivacious and attractive works, played with great élan, sensitivity and neatness, and recorded with exemplary clarity and balance. The concertos represent a high-water mark in 18th-century violin technique, with extensive double-stopping, an extended range that soars up to heights scarcely ventured previously, rapid scales and flying arpeggios, and elaborate figurations of all kinds.






To all of this Standage brings a seasoned virtuosity which he places totally at the service of the music's grace: his bowing in particular commands admiration. From the stylistic viewpoint these concertos are interesting for their mingling of French and Italian elements. There are Vivaldian unisons, but French dance forms for the middle movements – a pair of minuets in the D minor, minuets en rondeau in the G minor, a pair of gavottes with unusual interplay between solo and tutti in the F major, and an ornate solo line over supporting reiterated chords in the D major. Standage adds spontaneous embellishments of his own on repeats.” --Gramophone Classical Music Guide, 2010

Sunday, July 20, 2014


The music of Jean-Marie Leclair exemplifies the values and aspirations of the Age of Enlightenment: clarity and rationality; balance, harmony and proportion; and avoidance of excess or exaggeration... Leclair is generally credited as the founder of the French school of violin playing. He expanded the violin’s technique to include left-hand tremolo (which evolved into what we now call vibrato), double trills, and a meticulously notated variety of articulations; he was renowned for the sweetness of his sound, and for the purity and brilliance of his multiple stops.






Saturday, July 12, 2014


The music of Jean-Marie Leclair exemplifies the values and aspirations of the Age of Enlightenment: clarity and rationality; balance, harmony and proportion; and avoidance of excess or exaggeration... Leclair is generally credited as the founder of the French school of violin playing. He expanded the violin’s technique to include left-hand tremolo (which evolved into what we now call vibrato), double trills, and a meticulously notated variety of articulations; he was renowned for the sweetness of his sound, and for the purity and brilliance of his multiple stops.






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